Julian Zigerli created the "SORRY" who rocked the Palais the Tokyo. The show represented all the things we should and shouldn't be sorry for.
All in backstage
Julian Zigerli created the "SORRY" who rocked the Palais the Tokyo. The show represented all the things we should and shouldn't be sorry for.
This season’s Maison Margiela focused on the craft of making, and the concept of reduction and artful deconstruction.
The Post-Humanism collection from the Boris Bidjan Saberi SS17 is a real match, yet mix between humans and machines.
Loose fitted crinkled suits, over-sized raincoats and tailored jumpsuits. Yusuke was inspired by Varanasi, the spiritual capital of India.
Ackerman said “It’s all about freedom” and so he pushed his dandy aesthetic towards the sportswear territory and didn’t leave one Pantone chart unexplored.
Glenn Marten’s pirates rocked the runway, set on a boat by the banks of Seine playing dub reggae and jamming tunes.
The show was held in the beautiful Palais de la Femme, a 1910 vintage charitable refuge for distressed women. Christophe Lemaire and Sarah Linh Tran went on a voyage and brought multicultural influences to this season.
The collection contrasted with sober textiles and sensual treatments in olive, white, ochre, orange, indigo and black. Stretched proportions that resulted in a softening between the female and male silhouette.
Sleek, sleek, sleek. The glossy hair matched the shiny tailored leg trousers, long trench coats and the clean colour palette. Jil returned to her true founding principles and roots — nineties minimalism.
Asymmetrical sweaters, long coats and oversized tops were the common theme for the Raf Simons SS17 collection while the mannequins proudly wore Robert Mapplethorpe photographs as prints on their chest.
Shadows raised from the post-Soviet concrete silhouette and out marched a gang of perfectly casted prodigies. Dressed in acrylic tracksuits, heavy silver chains, stuffed in Fila sweaters and mullet cuts, Gosha took us back to a school yard somewhere in the Soviet union in 1984.
Cottweiler’s catwalk presented an almost apocalyptic vision of something between a ruined hotel resort and cracked alien egg shells.
Bondage and biblical influences created a certain oriental beauty at the Craig Green show. He took us on a pilgrimage to far off lands.
Freedom was the greatest inspiration for Lou this season and for her that means Walking. So what would make your hike into something unforgettable other than lightweight sheer patterned tops and black silky trousers?
There were not only pleats for this season at the Issey Miyake FW16 show but also playful contrasts of volumes and bright colors, carmine red predominates, but also the yellow, green, purple and blue.
There was a hip-hop and cyber inspired atmosphere at the Wanda Nylon FW16 show. We could even imagine a new "Daryl Hannah" Blade Runner walking down the catwalk, dressed up in high red vinyl boots with a black cape and a pair of maxi shades. The warrior ladies are back!
Since Y/Project's identity has become quite unisex looking, Glenn Martens decided to focus on feminine details for this women's wear collection by playing with proportions and silhouettes.
What we saw at Lea Peckre's show this women's fashion week was a sporty gothic/punk. Every detail was a mix between a casual garment and a bondage curling that signed the body.
This fall collection confirmed the peculiarity of the brand, attention to details. Silhouettes played with oversize volumes, overlaps and a mix of fabrics.
