Richie Culver

Through I TRUST PAIN, Richie Culver turns his visual works into sonic fragments, channeling trap, noise, and spoken word into an uncompromising meditation on self and survival.

Thelonious Stokes

Raised on Chicago’s South Side, Thelonious Stokes names his practice a forward realism: painting, performance, and design as limbs of one body channeling memory, faith, and invention.

Clara Kimera x Notinbed

For the French producer Notinbed, music is like a plaster for the brain, and for singer Clara Kimera, it’s an unspoken message passed from her heart. Together, we discuss their waxy, wet collaboration.

Xianglong Li

Xianglong Li turns memes into canvases, slowing the speed of digital culture into reflections where humor, contradiction, and absurdity create new ways of looking. 

Ziúr

Through Home, Ziúr examines the fragility of cultural spaces and the resilience within intersectional realities, mapping personal history against Berlin’s changing pulse and a political climate edging toward restriction.

Orrin

Born from late nights and data streams, Lost in Translation builds a club-ready heartbeat around love, memory and mutation. Orrin is composing the future.

Sandra Mujinga

Sandra Mujinga creates spaces where the non-human gets an agency of its own, beyond the human. In her current exhibition in Copenhagen, the human perspective has been decentralized to open for new perceptions on the living.

ILONA

From locked rooms in Paris to Los Angeles nights, Ilona Perla Marie Claire Slama weaves memory, music, and darkness into a language all her own. This dark feminine designer creates intimate, self made collections shaped by her personal history, and the soundtracks that accompany her creative process.

Yuka Hirac

Yuka Hirac’s images are a kaleidoscopic haze that reflect an internet age of overstimulation, post-truth and unreality. Her latest release, jajaja… mediation walk, looks at death, memory, and everything in between.

Splinterframes

Splinterframe weaves sound, memory, and digital imperfection into visual poems that breathe with technical triggers and sensory simulation.

Yehwan Song

Yehwan challenges the concept of "User-friendly," the conventions of "interface," and "standardized graphic templates," presenting an anti-user-centric narrative.