Presented at the 61st Venice Biennale as a collateral event organized by the Institut Ramon Llull, Paper Tears by Claudia Pagès Rabal is a manifold installation that examines how watermarks have functioned as tools of power and institutional authority throughout history.
What remains after provocation? Reading SEAWORLD VENICE by Florentina Holzinger.
Julian-Jakob Kneer presents attaché briefcases as screens for fantasy. These sealed objects project authority and perversion, trapping the viewer between masculine discipline and lavish, corrupted artifice.
Crystal Crypt gave Milan Design Week its most unsettling room. Luciani's cyberpunk rituals met Wood's Mille Fleurs in a Baccarat that felt genuinely alive, and genuinely mortal.
Four days of pure experimentation, local heroes and international heavyweights sharing the same city. Blawan live, Batu, Torus, Aaron Dilloway's noise rituals, Caterina Barbieri's modular worlds, Oneohtrix Point Never and Freeka Tet's audiovisual fever dream, KMRU's field recordings turned seismic. This is what adventurous music looks like when it's done right.
Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.
Via Pietro Verri welcomes the new Rimowa flagship. Green marble, dark oak, and German engineering define this sophisticated space dedicated to functional design and timeless travel excellence.
Tokyo label F.C.Real Bristol partners with Carhartt WIP. They deliver performance-driven athletic garments and football memorabilia , available worldwide this April.
“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.
Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.
Six years later. Same rabbit hole. Much darker, Very cursed down here. Clusterduck spent six years going down the rabbit hole of internet culture. Here is what they found. Clusterduck, six years inside the rabbit hole of internet culture. Clusterduck, six years inside the (rabbit) hole of internet culture.
The Mach. Remastered. HOKA takes its most iconic trainer and gives it a life beyond the track, translucent ripstop, metallic eyelets, the same supercritical foam you trust.
Two Dots makes music the way a fist hits a wall. Raised in Alpine quiet, sharpened in Parisian raves. The sound always knew who it belonged to.
With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.
Florian Picasso grew up in the industry before he grew up at all. DJ, label founder, creative, always one step ahead of where he just was.
Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
