Freedom, femininity, and a refusal to be polished. Ottolinger FW26 gave women permission to take up space, make questionable choices, and look extraordinary doing it.
Freedom, femininity, and a refusal to be polished. Ottolinger FW26 gave women permission to take up space, make questionable choices, and look extraordinary doing it.
Trashy Clothing’s FW26 Paris debut had Mia Khalifa on the runway and 36 reasons/looks to pay attention to fashion’s most politically charged label right now.
A piece of furniture. A few old objects. The whole architecture of who we are. Family is not chosen, yet it holds everything no algorithm will ever reach.
Tokyo meets Paris. grounds AW26 defies gravity once more, sculptural soles, surreal silhouettes, and Mikio Sakabe’s radical vision of what it means to walk the earth.
sikau/pubalova's exhibition challenges the body through the microbial, haptic, sonic, and olfactory. At Kunsthalle Praha, what it absorbs becomes a means of knowledge: ecological grief as a collective, contradictory, and incommensurable condition.
Yoniro returns with a new and ambitious project, a concept album that explores and fuses the tradition of the Taranta with electronic sound research.
At Milan Fashion Week, HOKA and MATERIA staged a runway where para-athletes ran the show, literally. STEALTH SYSTEM put adaptive design, reflective tech, and real movement at the center.
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking. Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
ILL-STUDIO is a research driven practice shaped by impulse, not instruction. In this interview, Thomas Subreville traces how ideas circulate, resist coherence, and settle only when meaning outweighs form. Finality becomes irrelevant once logic replaces structure.
From painting to video, and art to cinema, artist Kamil Dossar is exploring the understanding of the “alien” in Western thought. Represented by AI-generated lizards moving in an Iraqi landscape, his most recent body of work and upcoming cinema debut invites audiences to a renegotiation with the Unknown.
Ivy Vo, a UK-based Vietnamese artist works across multimedia formats – printmaking, video, installation, and graphic design – and she often transposes a digital world to physical spaces and sculptural objects.
An Ode to Work and Theatre as Therapy for Loss.
Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up.
Visual artist and ceramic sculptor Becky Tucker invites us into a parallel world where the shadows of ancient civilizations meets futuristic horror.
LOEWE Spring Summer 2026 Photographed by Talia Chetrit
The Shaft Boot. A vertical declaration. Structure pulled apart and rebuilt by hand. Shayne Oliver rewrites Paris from the sole up.
ACG and Mental Athletic turned Spazio Maiocchi into a looped trail. Athletes ran multiple laps across three days, abandoning wilderness for repetition, distance for obsession, in a closed-circuit endurance trial.
INTERVENTION V returns to Berlin on February 2nd. Kraftwerk Berlin hosts runway presentations, TED's first fashion salon, and four days of cultural programming across the city.
Solomun claimed Alexandra Palace across two sold-out nights, delivering five-hour sets that felt like memorabilia moments. His sound is about introspection, depth, and authenticity stating firmly in real electronic music.
From aerospace engineer to sneaker legend, Frank Rudy's pressurized capsules transformed running. Four decades later, Nike Air continues to redefine what athletes can achieve through invisible innovation.