Xianglong Li turns memes into canvases, slowing the speed of digital culture into reflections where humor, contradiction, and absurdity create new ways of looking.
All in art
Xianglong Li turns memes into canvases, slowing the speed of digital culture into reflections where humor, contradiction, and absurdity create new ways of looking.
Sandra Mujinga creates spaces where the non-human gets an agency of its own, beyond the human. In her current exhibition in Copenhagen, the human perspective has been decentralized to open for new perceptions on the living.
Yuka Hirac’s images are a kaleidoscopic haze that reflect an internet age of overstimulation, post-truth and unreality. Her latest release, jajaja… mediation walk, looks at death, memory, and everything in between.
032c presents GOLDRAUM 1 by Hendrik and Tom Schneider, with sound by Malibu. A gold-built interior, dense and disorienting, opens August 2 in Berlin.
Splinterframe weaves sound, memory, and digital imperfection into visual poems that breathe with technical triggers and sensory simulation.
Alexey Seliverstov turns absence into atmosphere, composing auditory weather under the name GraySkiesForever.
Yehwan challenges the concept of "User-friendly," the conventions of "interface," and "standardized graphic templates," presenting an anti-user-centric narrative.
Travis Ficarra introduces a new iteration of their Chocolate Goblin; a threatening, synthetic figure installed alongside a Koons Gazing Ball painting, where digital fiction and physical confrontation are treated as the same thing.
Elena Francalanci’s performances deconstruct pop culture, femininity, and the body as a site of tension and transformation.
From a shy and curious boy with a passion for mathematics to a creator of visual and sonic experiences: Ben builds unstable systems made of light, sound, and code, shaping spaces where one can get lost, observe, or simply stay.
Oh de Laval’s work has always felt like a secret someone lets you in on: intimate, a little defiant, and full of emotion that doesn’t beg to be understood. I Miss When People Had Secrets feels close to the skin. It’s about what we hide, what we show, and the strange beauty of not always being fully seen.
In this conversation, held after a new performance presented by FIBER and De Brakke Grond, Vica Pacheco weaves clay, shadow, and ancestral sound into a language where memory, gesture, and the body remain central.
At the start of the concert, when that jagged shard of rock at the top of the scenographic mountain began to shift - slowly revealing itself as a bulbous, otherworldly, post-apocalyptic creature with a microphone and a fierce will in its hands - I thought to myself: “Okaaay - this is the one I need to interview… you can’t exactly call Livia Rita an unremarkable being…”
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
Werner Neuhaus makes art with chainsaws: he carves one of the world's hardest woods to recreate sublime microscopic unicellular structures in giant size.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
A prying but secret eye obsessively spies on the corners of things, living rooms, bedrooms. His painting carries something evil, delicately diabolical.
Anastasia Vladimirskaya’s work slips between the mechanical and the emotional. In her hands, AI becomes instinctive, shaping fragile images that feel unsettling and achingly sentient.
Through his intimate yet provoking pieces, Joan invites you to engage with his raw and personal works whose creations confront the delicate intersections of personal history, emotional depth, and artistic interpretation.
Fragile Interfaces: Song Xin’s Exploration of Skin, Technology, and the Subconscious.
