All in art
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking. Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
ILL-STUDIO is a research driven practice shaped by impulse, not instruction. In this interview, Thomas Subreville traces how ideas circulate, resist coherence, and settle only when meaning outweighs form. Finality becomes irrelevant once logic replaces structure.
From painting to video, and art to cinema, artist Kamil Dossar is exploring the understanding of the “alien” in Western thought. Represented by AI-generated lizards moving in an Iraqi landscape, his most recent body of work and upcoming cinema debut invites audiences to a renegotiation with the Unknown.
Ivy Vo, a UK-based Vietnamese artist works across multimedia formats – printmaking, video, installation, and graphic design – and she often transposes a digital world to physical spaces and sculptural objects.
Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up.
Visual artist and ceramic sculptor Becky Tucker invites us into a parallel world where the shadows of ancient civilizations meets futuristic horror.
Lidia externalises internal states through environments designed to be entered, inhabited, and sensed. Her installations often manifest as portals, chambers, or post-geographic spaces.
Bolding Gallery presents CAKE by Ben Raz, opening in their Marleybone Gallery at Alfie’s Antiques Market this Saturday 7 February.
Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.
From the edges of music genres to cross-media experimentation, Kayla Trillgore turns the liminal into a multifaceted exploration of technology and desire, unfolding her research piece by piece towards her new EP, NEWMETAFLESH.
Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination.
Documenting the waste of the fashion industry artist Jojo Gronostay makes us rethink our relationship to clothes, waste and value.
Boris Acket plays God by programming synthetic thunderstorms, designing systems that operate beyond his control.
Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.
We visited Scuola Piccola Zattere in Venice, in the Dorsoduro district overlooking the Giudecca Canal, on the occasion of the opening of R.S.V.P. Résonnez, S’il Vous Plaît, a group exhibition open from 21 November 2025 to 6 April 2026. Here’s a look at our visit to Scuola Piccola Zattere, its fellowships, exhibitions, and the restaurant housed within the building.
In Julieta Tarraubella’s work, a flower lives under continuous vision. Time slows, care gains weight, and technology sustains life while quietly asserting control.
biuro is a shared world of entertainment and play. A physical and digital universe of characters, stories, and shifting formats, moving freely across images, sound, and fantasy.
Through personal footage and floral interruptions, Gerta Xhaferaj traces how memory survives power, censorship, and urban change, moving from authoritarian architecture to everyday social rituals.
Metallic vases and Bluetooth speakers occupy a central table at 10 Corso Como. Here, cameras record a landscape of synthetic nature, pulling the viewer into a loop of self-observation.
Bernhard Schobinger converts debris into amulets at 10·Corso·Como. This exhibition rejects industrial repetition, presenting unique jewelry and sculptures that prioritize raw material power over traditional market value.
