Ottolinger opened Resort 2026 in Berlin with Darude pulsing through the space. Kristina Nagel and Anna Uddenberg stepped into a collection built for tension, pressure, and the speed of the moment.
Ottolinger opened Resort 2026 in Berlin with Darude pulsing through the space. Kristina Nagel and Anna Uddenberg stepped into a collection built for tension, pressure, and the speed of the moment.
Berlin gets the first cut: Mowalola opens her debut pop-up at P100, fusing past and future through exclusive pieces, a new FW25 capsule, and one unmistakable attitude.
Inside the chapel of Laennec, fashion becomes relic. “Balenciaga by Demna” marks ten years of distortion, vision, and a new kind of permanence for clothing. The space once reserved for silence is now witness to fashion’s most deliberate provocation.
PUMA partners with Salehe Bembury to present Velum in Paris, drawing from organic memory and industrial precision. The result is a study in form, sensation, and the strange intimacy between material and motion.
CAMPERLAB SS26 walks straight from the club into daylight, built on sweat, stubborn elegance, and faces that defined a scene. Sven Marquardt among them, unmissable.
Gentle Monster introduces a new kinetic sculpture inside 10 Corso Como Milan, turning the store into a space shaped by movement, perception, and the emotional language of the body.
In this conversation, held after a new performance presented by FIBER and De Brakke Grond, Vica Pacheco weaves clay, shadow, and ancestral sound into a language where memory, gesture, and the body remain central.
From the heat of Buenos Aires, 22-year-old electro-pop artist Terra makes music that captures a reckless heart, beating and burning.
Through tape recordings and NON-INTRUSIVE methodology, American composer and organist redraws the landscape of electroacoustic composition.
At the start of the concert, when that jagged shard of rock at the top of the scenographic mountain began to shift - slowly revealing itself as a bulbous, otherworldly, post-apocalyptic creature with a microphone and a fierce will in its hands - I thought to myself: “Okaaay - this is the one I need to interview… you can’t exactly call Livia Rita an unremarkable being…”
Where does innovation live? At FIBER Festival in Amsterdam, the answer came through care. Technology, performance, experimental sound and visual art moved with emotion, speaking a deeply personal language.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
Airports stall, identities blur. Baggage Fright captures the absurdity and fatigue of transit in limbo, where nothing moves but the hope of becoming someone else.
Google has teamed up with South Korean eyewear brand Gentle Monster to develop AI-powered smart glasses, blending advanced technology with high-fashion design.
A portrait of romance engineered to please, until it corrodes. Toxic Love looks at desire programmed to perfection and the cost of surrendering to something that only simulates presence.
What begins as therapy ends in strategy. Black Bag builds psychological pressure through sharp scenography, cool-toned photography, precise acting, and a London shown without polish, where AI quietly shadows human choices in espionage.
Werner Neuhaus makes art with chainsaws: he carves one of the world's hardest woods to recreate sublime microscopic unicellular structures in giant size.
Swedish audio brand Transparent reflects on ethical product design, modular sustainability, and how silence, AI, and sound can coexist in a cluttered technological world.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Jägermeister’s new social media campaign explores the potential of human-AI collaboration.
