David Lynch

David Lynch

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Lynch’s mysterious epic takes you down a long winding road out of Hollywood, through love, crime and fame, only to end your desires with confusion.

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Initially, Mulholland Drive was a pilot for the television screen. It was intended to be a Twin Peaks spin-off, a mystery drama set in a small town in the late 80’s. Betty was a remake of the show’s infamous femme fatale Audrey Horne, who leaves for Los Angeles to become a movie-star. Lynch fell out with the American producers of the TV-show, who were unhappy with some of the content, so the script was later re-written to be presented as a feature film.

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A short but pivotal scene in the film takes place in a diner. When a woman falls onto the floor into a dream like state, two men appear in a Winkies. One is particularly pleased to have met there, justifying that he’s dreamed of this before, whilst also telling the other that, in the dream, he sees a scary figure in the window. This eerie scene sets the tone for the entire film, and is confirmed by Lynch’s tagline: “A love story in the city of dreams.” The series of events happen in a dream-like manner, telling no real cohesive story, but certainly adding clues to what the director is trying to portray.

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Nearly every character in Lynch’s production has a pre-empted stereotype which Hollywood has created in our minds; The mysterious hitman/cowboy, the alarming hobo behind the dumpster, the wide-eyed dreamer in Winkies. For this reason, we believe each and every character is vital to the entire plot-line, even though at times, it does seem so. 

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Until this day the director has never given a clear, concise explanation for the outcome of this film, however several film critics seem to have their own opinions, which widely differ. The plotline itself is a mystery, but also acts like the golden charm of the film, as you’ll never stop thinking about it. 

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Mulholland Drive
director DAVID LYNCH
year 2001
director of photography PETER DEMING
cast NAOMI WATTS, LAURA ELENA HARRING, JUSTIN THEROUX, ANN MILLER and ROBERT FORSTERI

 
 

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