Lara is wearing playful layers of textures and prints in deep colours which transform the set into a romantic and cinematic atmosphere. Let the show begin!
All in fashion
Lara is wearing playful layers of textures and prints in deep colours which transform the set into a romantic and cinematic atmosphere. Let the show begin!
Graceful movements and passion is captured in the dance studio in central London. The big windows fill the space with dull light and creates soft shadows.
The reflection of another you, your shadow and your soul. Sara Merz and Josepha Rodriguez brings us close to mother nature and studies the twin effect.
The capacity to build knowledge through individual reflection of external stimulations and sources, and through personal re-elaboration and experience in light by interaction with others and the environment.
Marcin Leszczuńsky captured Elizabeth and Amelia in a flat enjoying the precious moments of quiet peace, the models appear to be calm and slightly mysterious. Through the polaroids we can see the girls that embrace their emotions, as reflected in their genuine smiles. That’s the story of sisterhood.
What it takes to me a modern woman? Conceptual styling with a twist paired with unusual details that we don’t see on a daily basis: an earring in a shape of a giant safety pin or a bag that is made to look like a road sign, for instance. Here, Helena Prestes has been captured in the lense of Donald Gjoka and styled by Emrecan Sandal.
Innocent and without any restraints, Amelia Strawberry has been captured by Rosie Harriet Ellis showing a little bit of flesh in a Lolita-esque photo shoot ‘Cold Milk’. All that styled by Francesca Pinna with help from a set designer Gemma Thérèse Pearce.
Turtle necks, leather, velvet and military print. Space age is the first things that comes to a mind when we see Mari Bel wearing the orange red suit; story shot by Giulia Soldavini and styled by Josephine Melfi.
Fishnets and corsets dominate, while a modern vibe is advocated through letter printing and a plethora of earth-like colours. A hint of Victorian aesthetic drives a recherché awe about the entire collection.
The cold-toned pictures are mixed with a number of monochromes, echoing the confusion and frustration in the model’s eyes. Various bustier and corsets seem to be restraining her from movements, heightening a sense in insecurity and imprisonment.
The model casting is diverse, so as their outfits, but there is a denominator among them that is quite observable.
The pale-gold eye shadow, burnt orange satin curtain, and apricot wall have set the palpable nostalgic tone of these images. The girls have stepped on their crystal pumps, put on their embellished or printed dresses – ready for a party in this empty hall.
We can sense the exploration of masculinity and femininity, and the connection between humans and nature.
Shot in an old-fashioned apartment tucked away in Ludlow Street, New York City, these images unearth the inner world of a young boy. The slender body, satin ribbons, and white corset created a sense of vulnerability, which works harmoniously with the warm natural light.
The models marched out in protest in front of a nuclear power plant wearing a patch with the collection's motto: "Atomkraft? Nein Danke" (Nuclear power? No thank you").
Riccardo Tisci's collections have been very dark for many seasons. Even though the catwalk was filled with warrior-like models, this spring collection was suddenly more spiritual and happy.
A.P.C celebrated their 30th anniversary by presenting their SS2017 season with British influences.
Julian Zigerli created the "SORRY" who rocked the Palais the Tokyo. The show represented all the things we should and shouldn't be sorry for.
This season’s Maison Margiela focused on the craft of making, and the concept of reduction and artful deconstruction.
The Post-Humanism collection from the Boris Bidjan Saberi SS17 is a real match, yet mix between humans and machines.