Mind and intuition are both involved in the process, which has no pre-established ending.
Mind and intuition are both involved in the process, which has no pre-established ending.
Lark Foord is a self taught photographer based in Venice, CA. Most of these images are from Plain Sight, a continuing analog film series I'm working on.
Thomas Hammer is a New York City based visual artist. He builds his paintings up through layers of freehand brushstrokes, airbrush work, and simple trompe l'oeil effects.
The Lisson Gallery in Milan has a reputation for exhibiting pioneering artists. James Casebere is the next in a long line of reputable image-makers whose work has been shown at the Lisson.
Richard Devereux’s work makes no reference to the outside world it is both narrative-free and self-sufficient, consequently, a meditative quality emerges offering visual experiences that are both nourishing and contemplative.
Raised in the Phoenix area, William LeGoullon has developed a personal obsession with and appreciation for the transformative spaces we often refer to as desert.
Through the installations and editions he makes, Alex Chevalier is questioning the relation of the artist to his everyday life and his position in the contemporary society.
Pia Brix-Thomsen is neither particularly Nordic by looks nor in her art. She is like a gipsy, a citizen of the world, who with great passion becomes absorbed and paints vigorous sonorous canvases.
Chea (2015)
What was the catalyst that made you start taking photos? I began approaching photography thanks to my friends who at the time were trying to make a profession of it.
Futo Akiyoshi’s work explores the ways in which borderline from the painting practice is articulated through painterly relationships – from expressions of single gold color composed a spatial structure “Room”.
The Carla Sozzani gallery in Milan plays host to the most recent Daido Moriyama exhibition titled ‘In Colour’.
Marcius Galan explores the metaphorical capacities of space and our relation to it through his wide-ranging practice which includes installation, sculpture, photography and video.
Our dimensions aren't as fixed as they seem; there is an exchange that we experience with the printed image and at large with the flat surface.