Again (Again) brings together three distinct yet resonant practices, and unfolds as a reflection on repetition understood as a restaging of memory: the phantasmatic return of images, gestures and practices that follow not a temporal but rather a spatial linearity, from an East European perspective, resurfacing through successive stratifications. Repetition is here understood as a process of continuous inscription, in which the past manifests in the present as active residue and spectral presence.
Dmytrenko’s work evokes suspended emotional landscapes through a material sensibility and layered surfaces, in which memory appears sedimented and unstable: layers that address amnesia, what is deposited and what is lost. Prenka works reducing form to precise and silent gestures that interrogate repetition as a process of formation and dissolution, between archive and historical memory. Her embroidery draws inspiration in its forms and colours from contemporary social practices and new philosophical and scientific openings. Koshevoy operates against a backdrop of post-industrial, decaying architecture, from which images, forms and returns emerge: repetition becomes method and temporal logic, producing ever-shifting relations between figure and ground.
Venice, Giudecca 212/c
Preview: May 5, 11:00–16:00
By appointment: May 6–10, 2026 (to book your spot please write an email to the Project Manager, Giada Bartolini, at giada.b66518@gmail.com)