The Auditorium San Fedele maintains its reputation for curating the most vital currents in contemporary sound. On Monday, May 4, the Inner_Spaces series introduces another iteration of Riverberi in Risonanza, a program designed to highlight the physical properties of resonance and the intellectual weight of collective improvisation.

The evening commences with Helene Glüxam. The Austrian artist approaches the double bass as a vessel for interiority. By pairing the instrument's cavernous percussive capabilities with a vocal presence that fluctuates between a whisper and a ghost, she constructs a specific architecture of sound. Her performance focuses on the marrow of the strings, extending the natural vibrations of the wood into a sparse, essential song. This first half demands a quiet attention, pulling the listener into the very grain of the instrument.

Following this intimate opening, the stage welcomes a formidable trio: Christian Fennesz, Jim O’Rourke, and Eiko Ishibashi. These three figures occupy a central space in the landscape of experimental music, yet here they move toward a shared, collective logic. Their set utilizes electronics, guitar, and keyboards to generate a consistent stream of audio. Rather than a mere sequence of notes, they provide a tide that varies in its weight. One moment the sound feels thick and opaque; the next, it thins into a crystalline clarity. Timbres reflect and mutate, ensuring that no single element remains static.

This event represents a rare opportunity to witness such high-caliber synthesis in Milan. The performance begins at 20:30. Given the caliber of the artists involved, early booking remains advisable. Tickets can be acquired through the link in our bio or directly at the San Fedele box office. Join us for a night where the traditional boundaries of the concert hall vanish into a rigorous, beautiful noise.

📍 Auditorium San Fedele, Milano
🗓 Monday May 4
🕰 Ore 9.30PM

🎟 Tickets https://linktr.ee/Inner_Spaces