On stage on the June 28th in the gardens of the Triennale for Terraforma Exo 2025, The Talk is a hybrid device that remixes concert, theatre, and audiovisual art.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
A portrait of romance engineered to please, until it corrodes. Toxic Love looks at desire programmed to perfection and the cost of surrendering to something that only simulates presence.
Swedish audio brand Transparent reflects on ethical product design, modular sustainability, and how silence, AI, and sound can coexist in a cluttered technological world.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Concealment isn’t absence here. ‘Duality of Durability’ presents a coded choreography of presence and distance—where looks aren't decorative, but acts of resistance, memory, and quiet complicity.
The PAN x Nike installation at Capsule Plaza isn’t a tribute—it’s a pulse. Each visit pulled us deeper into a world shaped by Bill Kouligas’ vision: ancient codes, club memory, and the emotional geometry of subculture.
Stone Island’s Friendly Pressure: Studio One at Capsule Plaza wasn’t just heard—it was felt. Every time we were in the area, we found ourselves stepping back in, pulled by sound, scent, and a sense of timeless immersion that never faded.
Willo Perron’s CHECKERED FUTURE: FREQUENCY MANIFEST installation during Milan Design Week transformed Vans’ Old Skool 36 FM from a skate shoe into a cultural artifact—bringing sound, design, and music together in a seamless expression of innovation.
Through I TRUST PAIN, Richie Culver turns his visual works into sonic fragments, channeling trap, noise, and spoken word into an uncompromising meditation on self and survival.
Raised on Chicago’s South Side, Thelonious Stokes names his practice a forward realism: painting, performance, and design as limbs of one body channeling memory, faith, and invention.
For the French producer Notinbed, music is like a plaster for the brain, and for singer Clara Kimera, it’s an unspoken message passed from her heart. Together, we discuss their waxy, wet collaboration.
Music, the Etna volcano, wine, and wood shaped one of the most remarkable weekends of culture in Milo, Catania, Sicily. Opera Festival created a monumental dialogue between tradition and innovation.
Xianglong Li turns memes into canvases, slowing the speed of digital culture into reflections where humor, contradiction, and absurdity create new ways of looking.
Born from travel, film, and punk energy, NANA JUICE creates jewellery as raw fragments of narrative, sculpted silver that feels personal, primal, and unafraid of contradictions.
Through Home, Ziúr examines the fragility of cultural spaces and the resilience within intersectional realities, mapping personal history against Berlin’s changing pulse and a political climate edging toward restriction.
