In the exhibition Apocalypse Now and Then, Andra Ursuţa shapes matter, memory and ruin into sculptures that question the apocalypse, the fragility of the body and the desire to transcend a troubled present.
From orchestral intensity to electronic experimentation, Gaudeamus Festival marks 80 years of innovation. In Utrecht’s incredible venues, emerging voices presented new forms of contemporary sound, reshaping the future of music.
Berlin Atonal made its highly anticipated return to the cavernous Kraftwerk Berlin complex from August 27 - 31, 2025, rolling out five nights of premieres, new commissions, art installations, and late-night club sets.
2025 BOLD with Tilda Swinton Discover Gentle Monster’s bold, futuristic narrative through a campaign led by Tilda Swinton.
032c presents GOLDRAUM 1 by Hendrik and Tom Schneider, with sound by Malibu. A gold-built interior, dense and disorienting, opens August 2 in Berlin.
On stage on the June 28th in the gardens of the Triennale for Terraforma Exo 2025, The Talk is a hybrid device that remixes concert, theatre, and audiovisual art.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
A portrait of romance engineered to please, until it corrodes. Toxic Love looks at desire programmed to perfection and the cost of surrendering to something that only simulates presence.
Swedish audio brand Transparent reflects on ethical product design, modular sustainability, and how silence, AI, and sound can coexist in a cluttered technological world.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Concealment isn’t absence here. ‘Duality of Durability’ presents a coded choreography of presence and distance—where looks aren't decorative, but acts of resistance, memory, and quiet complicity.
There are plenty of things to see during design week. But Capsule Plaza reminded us how nice it is to just be in a space that gets it. That holds you.
The SS26 Matière Fécales was a bold and grandiose show that quenched a thirst for authentic inclusion in the landscape of Paris casting.
Neither rooted nor released, Liminal Wings inhabits the tension between organic instinct and constructed identity.
Amandine Kuhlmann dissects the aesthetics of platform culture, using performance and digital media to expose how identity is shaped, staged, and fractured online.
Inside Grand Palais Virgil’s archive pulses alive: worn laces, unpolished sketches, Nike collaborations, Off-White signature details. A rush of grief and pride, of memory and movement, reminding us why creativity matters.
In Berlin, Diesel erects a stark two-level haven of denim and art. Concrete frames converge with bold displays and shifting zones. A realm born for creators, not mere shoppers.
In the exhibition Apocalypse Now and Then, Andra Ursuţa shapes matter, memory and ruin into sculptures that question the apocalypse, the fragility of the body and the desire to transcend a troubled present.
At Snow Gallery, ‘Possession’ takes form. Spirits, idols, and impulses collide. Vega’s current flickers through each artist, where devotion meets corruption, and the sacred becomes provocatively flesh.