Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.

Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.

Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.

Freedom, femininity, and a refusal to be polished. Ottolinger FW26 gave women permission to take up space, make questionable choices, and look extraordinary doing it.

Yoniro returns with a new and ambitious project, a concept album that explores and fuses the tradition of the Taranta with electronic sound research.

ILL-STUDIO is a research driven practice shaped by impulse, not instruction. In this interview, Thomas Subreville traces how ideas circulate, resist coherence, and settle only when meaning outweighs form. Finality becomes irrelevant once logic replaces structure.

Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up. 

The Shaft Boot. A vertical declaration. Structure pulled apart and rebuilt by hand. Shayne Oliver rewrites Paris from the sole up.

PLATTE Berlin becomes a platform where Sven Marquardt’s jury perspective values material truth, photographic thinking, and designers who speak both to the street and to the gallery.

From the edges of music genres to cross-media experimentation, Kayla Trillgore turns the liminal into a multifaceted exploration of technology and desire, unfolding her research piece by piece towards her new EP, NEWMETAFLESH.

Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.