Yoniro returns with a new and ambitious project, a concept album that explores and fuses the tradition of the Taranta with electronic sound research.

ILL-STUDIO is a research driven practice shaped by impulse, not instruction. In this interview, Thomas Subreville traces how ideas circulate, resist coherence, and settle only when meaning outweighs form. Finality becomes irrelevant once logic replaces structure.

Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up. 

The Shaft Boot. A vertical declaration. Structure pulled apart and rebuilt by hand. Shayne Oliver rewrites Paris from the sole up.

PLATTE Berlin becomes a platform where Sven Marquardt’s jury perspective values material truth, photographic thinking, and designers who speak both to the street and to the gallery.

From the edges of music genres to cross-media experimentation, Kayla Trillgore turns the liminal into a multifaceted exploration of technology and desire, unfolding her research piece by piece towards her new EP, NEWMETAFLESH.

Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.

Rooted in instinct and adaptation rather than strategy, Sophia Stel’s music captures the quiet weight of everyday moments, the ones that slip by if you’re not looking closely enough.

Cyclically, for the past fifteen to ten years, Korea has returned to Western theaters to confront the theme of capitalism with the excess that distinguishes its cinema. In 2025–26, Park Chan-wook, born in 1963, returns to the screen with a forceful film about the role of work.

As a rare ray of sunshine in the darkness of European winter, ORUN hosted their ‘Heirs of Greatness day’ and ‘Heirs of Greatness Night’ to showcase independent African designers, a film screening of ‘Build to Outlast Time’ and an immersive dinner, in Casablanca.