Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
All in exhibition
Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.
“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.
Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.
With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.
Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
In this conversation for MoMu’s landmark exhibition, Geert Bruloot revisits the moment when Antwerp changed fashion, including the Six’s remarkable road trip to Pitti in Florence.
Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking. Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up.
INTERVENTION V returns to Berlin on February 2nd. Kraftwerk Berlin hosts runway presentations, TED's first fashion salon, and four days of cultural programming across the city.
Bolding Gallery presents CAKE by Ben Raz, opening in their Marleybone Gallery at Alfie’s Antiques Market this Saturday 7 February.
PLATTE Berlin becomes a platform where Sven Marquardt’s jury perspective values material truth, photographic thinking, and designers who speak both to the street and to the gallery.
Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.
C.P. Company builds urban wear as infrastructure. Nano Titanium and Micro-Tek fabrics form protective layers between body and city. Functional design meets technical precision in Fall/Winter 026.
Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination.
The North Face introduces Summit Series Advanced Mountain Kit Black Edition, a precise system for extreme terrain, built for darkness, risk.