All in exhibition
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking. Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up.
INTERVENTION V returns to Berlin on February 2nd. Kraftwerk Berlin hosts runway presentations, TED's first fashion salon, and four days of cultural programming across the city.
Bolding Gallery presents CAKE by Ben Raz, opening in their Marleybone Gallery at Alfie’s Antiques Market this Saturday 7 February.
PLATTE Berlin becomes a platform where Sven Marquardt’s jury perspective values material truth, photographic thinking, and designers who speak both to the street and to the gallery.
Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.
C.P. Company builds urban wear as infrastructure. Nano Titanium and Micro-Tek fabrics form protective layers between body and city. Functional design meets technical precision in Fall/Winter 026.
Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination.
The North Face introduces Summit Series Advanced Mountain Kit Black Edition, a precise system for extreme terrain, built for darkness, risk.
Stone Island Prototype Research_Series 09 treats knitwear as a testing ground, where lamination, colour, and structure meet under conditions of extreme precision.
Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.
As a rare ray of sunshine in the darkness of European winter, ORUN hosted their ‘Heirs of Greatness day’ and ‘Heirs of Greatness Night’ to showcase independent African designers, a film screening of ‘Build to Outlast Time’ and an immersive dinner, in Casablanca.
We visited Scuola Piccola Zattere in Venice, in the Dorsoduro district overlooking the Giudecca Canal, on the occasion of the opening of R.S.V.P. Résonnez, S’il Vous Plaît, a group exhibition open from 21 November 2025 to 6 April 2026. Here’s a look at our visit to Scuola Piccola Zattere, its fellowships, exhibitions, and the restaurant housed within the building.
Metallic vases and Bluetooth speakers occupy a central table at 10 Corso Como. Here, cameras record a landscape of synthetic nature, pulling the viewer into a loop of self-observation.
Bernhard Schobinger converts debris into amulets at 10·Corso·Como. This exhibition rejects industrial repetition, presenting unique jewelry and sculptures that prioritize raw material power over traditional market value.
Paris hosted Art Basel with exacting ambition. Sculptures lined avenues. Booths revealed Richter, Modigliani, and rising names. Public projects asked visitors to confront symbols, memory, and collective gesture.
At Palatul Cina, BALKAN introduced MRACONIA with a vision rooted in memory, architecture, and dark romanticism. A dialogue of art, fashion, and heritage created as form, matter, and symbolism.
Inside Grand Palais Virgil’s archive pulses alive: worn laces, unpolished sketches, Nike collaborations, Off-White signature details. A rush of grief and pride, of memory and movement, reminding us why creativity matters.
032c presents GOLDRAUM 1 by Hendrik and Tom Schneider, with sound by Malibu. A gold-built interior, dense and disorienting, opens August 2 in Berlin.
Graphpaper and Ill-Studio frame fiction as structure. An installation where garments lose origin and absorb time, drifting between sound, texture, and the unspoken systems that shape how we read form.
