At 180 The Strand, GENER8ION’s VISIONS OF 2034 is all about cinema, music and visual art, imagining a future that feels disturbingly close to the present.
All in exhibition
Adriatica Contemporanea presents 'Infinito Pratico'
From August 1 to 25, San Benedetto del Tronto hosts Infinito Pratico, organized by Adriatica Contemporanea. Eleven artists interrogate repetition, locality, and Leopardi metaphysical legacy at Palazzina Azzurra, connecting past conceptual lineages to immediate regional realities.
(Future) Paradise Gardens: growing the present after twenty years of Biennale Gherdëina in Val Gardena
(Future) Paradise Gardens. The tenth edition of Biennale Gherdëina inaugurates in the heart of the Dolomites as a diffuse event running until 13 September.
'Dal sonno' by Nicola Maria Patitucci
The exhibition Dal sonno by Nicola Maria Patitucci, hosted by Cane Studio, examines the perception and implications of the unconscious, converting the dream state into an intimate and unsettling visual journey.
Cezar Mocan exhibition at SOLO CSV
At SOLO CSV in Madrid, a new exhibition space has inaugurated: Basement, with works by Cezar Mocan, artist and programmer winner of SOLO AI ‘25 Award, on the limits of data technologies.
The Silence of the Mole, new film by Jakub Jansa at 61st Venice Biennale
‘The Silence of the Mole’ reimagines a folkloric icon as a Marxist underdog. The film investigates the Kafkaesque machinery of national representation at the Biennale, where muted instruments signal a refusal to serve cultural diplomacy and statecraft.
Rabin Huissen
Artist Rabin Huissen records accounts of the human form as it is conditioned by its physical gestures, the surroundings in which these are acted, and the everyday conditions that quietly regulate lived experience.
'Strange Rules' Mat Dryhurst and Holly Herndon at Palazzo Diedo Venice
Mat Dryhurst makes software the way others make manifestos. Curated alongside Holly Herndon, Hans Ulrich Obrist, and Adriana Rispoli, his Attention Guild installation at Palazzo Diedo is the clearest version yet of what he calls protocol art: a parliament of humans and agents, and a gift economy that runs.
Joan Horrach
Joan Horrach moved from ballet to Bruce Nauman, and the distance turned out to be short. The Palma-born artist makes work where the body is both subject and instrument, and where ‘the act of waiting’ proves to be the hardest act of all.
Noémie Ninot
With Poupée de Peau, currently on view at Alo Galerie until May 30, Noémie Ninot explores how patriarchal beauty standards shape femininity through self-portraiture, repetition, and artificiality.
A Place in the Sun by Genti Korini at the Albanian Pavilion's Biennale
Genti Korini resurrects early 20th-century avant-garde research to critique the exoticization of Albania. By staging an archival Russian parody, he exposes the failure of language to capture the other.
SEAWORLD VENICE by Florentina Holzinger
What remains after provocation? Reading SEAWORLD VENICE by Florentina Holzinger.
Gestalt by Julian-Jakob Kneer at Blue Velvet
Julian-Jakob Kneer presents attaché briefcases as screens for fantasy. These sealed objects project authority and perversion, trapping the viewer between masculine discipline and lavish, corrupted artifice.
'Crystal Crypt' by Emmanuelle Luciani for Baccarat
Crystal Crypt gave Milan Design Week its most unsettling room. Luciani's cyberpunk rituals met Wood's Mille Fleurs in a Baccarat that felt genuinely alive, and genuinely mortal.
'Rebecca' by Benni Bosetto at Hangar Bicocca
Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
Kushtrim Memeti at Bazament Tirana
Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.
'Tide of Returns' at Ocean Space
“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.
Cao Fei: ‘Dash’ at Fondazione Prada
Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.
Smooth Operator: On the Ambiguities of Comfort with Villiam Miklos Andersen
With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.
HELNWEIN mundos invertidos at SOLO Contemporary
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.