Graphpaper and Ill-Studio frame fiction as structure. An installation where garments lose origin and absorb time, drifting between sound, texture, and the unspoken systems that shape how we read form.
All in exhibition
Graphpaper and Ill-Studio frame fiction as structure. An installation where garments lose origin and absorb time, drifting between sound, texture, and the unspoken systems that shape how we read form.
Berlin gets the first cut: Mowalola opens her debut pop-up at P100, fusing past and future through exclusive pieces, a new FW25 capsule, and one unmistakable attitude.
Inside the chapel of Laennec, fashion becomes relic. “Balenciaga by Demna” marks ten years of distortion, vision, and a new kind of permanence for clothing. The space once reserved for silence is now witness to fashion’s most deliberate provocation.
PUMA partners with Salehe Bembury to present Velum in Paris, drawing from organic memory and industrial precision. The result is a study in form, sensation, and the strange intimacy between material and motion.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Nocturnal Visions by Noelle Lee reimagines esotericism, folklore, and artistic inspiration through intricate, thoughtfully assembled drawings and installations.
Forget the clean, carpeted floors of the big fairs—this was all about brutalist, industrial backdrops that brought the scene to life.
exhibition was opened at Fondazione Spazio Vitale on 5th October. The project curated by Domenico Quaranta includes works by Ivana Bašić, Lynn Hershman Leeson, Oliver Laric and Sahej Rahal.
Monte di Pietà at Fondazione Prada.
FACT Liverpool has transformed into a playground of imagination and introspection this summer with its latest exhibitions by R.I.P. Germain and Sara Sadik.
Inflammation: A Fusion of Art, Medicine, and Society at the 60th International Biennale.
Titled “Foreigners Everywhere,” the Venice Biennale edition leans heavily on textiles and paintings, sticking to a familiar curation approach.
Introducing “Double & Duality”, an exhibition on dichotomies and a visual dialogue between natural opposites.
Calculating Empires: a titanic, undismayed key to understanding technology and power in the centuries to today (and tomorrow). An exhibition conceived by researcher-artists Kate Crawford and Vladan Joler.
Sara Sadik's innovative exhibition at Spazio Maiocchi redefines art with futuristic narratives and transformative experiences.
Esogenesi: Bridging emotions, technology; an exhibition transcending boundaries, inviting introspection, igniting profound contemplation.
