Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.
All in exhibition
Steyerl turns the Osservatorio into a place of reflection on how we survive crisis. Through film and quantum logic, she looks at a world where deep history meets our digital future.
As a rare ray of sunshine in the darkness of European winter, ORUN hosted their ‘Heirs of Greatness day’ and ‘Heirs of Greatness Night’ to showcase independent African designers, a film screening of ‘Build to Outlast Time’ and an immersive dinner, in Casablanca.
We visited Scuola Piccola Zattere in Venice, in the Dorsoduro district overlooking the Giudecca Canal, on the occasion of the opening of R.S.V.P. Résonnez, S’il Vous Plaît, a group exhibition open from 21 November 2025 to 6 April 2026. Here’s a look at our visit to Scuola Piccola Zattere, its fellowships, exhibitions, and the restaurant housed within the building.
Metallic vases and Bluetooth speakers occupy a central table at 10 Corso Como. Here, cameras record a landscape of synthetic nature, pulling the viewer into a loop of self-observation.
Bernhard Schobinger converts debris into amulets at 10·Corso·Como. This exhibition rejects industrial repetition, presenting unique jewelry and sculptures that prioritize raw material power over traditional market value.
Paris hosted Art Basel with exacting ambition. Sculptures lined avenues. Booths revealed Richter, Modigliani, and rising names. Public projects asked visitors to confront symbols, memory, and collective gesture.
At Palatul Cina, BALKAN introduced MRACONIA with a vision rooted in memory, architecture, and dark romanticism. A dialogue of art, fashion, and heritage created as form, matter, and symbolism.
Inside Grand Palais Virgil’s archive pulses alive: worn laces, unpolished sketches, Nike collaborations, Off-White signature details. A rush of grief and pride, of memory and movement, reminding us why creativity matters.
032c presents GOLDRAUM 1 by Hendrik and Tom Schneider, with sound by Malibu. A gold-built interior, dense and disorienting, opens August 2 in Berlin.
Graphpaper and Ill-Studio frame fiction as structure. An installation where garments lose origin and absorb time, drifting between sound, texture, and the unspoken systems that shape how we read form.
Berlin gets the first cut: Mowalola opens her debut pop-up at P100, fusing past and future through exclusive pieces, a new FW25 capsule, and one unmistakable attitude.
Inside the chapel of Laennec, fashion becomes relic. “Balenciaga by Demna” marks ten years of distortion, vision, and a new kind of permanence for clothing. The space once reserved for silence is now witness to fashion’s most deliberate provocation.
PUMA partners with Salehe Bembury to present Velum in Paris, drawing from organic memory and industrial precision. The result is a study in form, sensation, and the strange intimacy between material and motion.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Nocturnal Visions by Noelle Lee reimagines esotericism, folklore, and artistic inspiration through intricate, thoughtfully assembled drawings and installations.
Forget the clean, carpeted floors of the big fairs—this was all about brutalist, industrial backdrops that brought the scene to life.
exhibition was opened at Fondazione Spazio Vitale on 5th October. The project curated by Domenico Quaranta includes works by Ivana Bašić, Lynn Hershman Leeson, Oliver Laric and Sahej Rahal.
Monte di Pietà at Fondazione Prada.
FACT Liverpool has transformed into a playground of imagination and introspection this summer with its latest exhibitions by R.I.P. Germain and Sara Sadik.