Han Kjøbenhavn's Fall/Winter 2026 collection, titled "Corrosion," appeared during Copenhagen Fashion Week as a calculated assault on proportion and mobility. Jannik Wikkelsø Davidsen, the creative director who has steered the house since its 2008 founding, constructed garments that treated the body like raw material to be reshaped through force.

The collection centered on compression. Waists cinched to improbable narrowness, creating an hourglass so severe it suggested structural intervention rather than tailoring. Skirts lengthened until hems scraped the floor, their weight anchoring models in place and forcing a shuffle where a stride should have been. This was not clothing designed for ease or velocity. Each piece demanded conscious negotiation with gravity and space. Most radical were the headpieces: rigid constructions that obscured faces entirely and recast the skull as an angular, geometric mass. The human disappeared. What remained was volume, shape, the idea of a head rather than the thing itself. Without facial expression to communicate mood or intention, the collection relied entirely on posture and material to convey meaning.

Movement slowed to the point of ceremony. Models took deliberate, measured steps, their bodies laboring beneath the weight and restriction of the garments. This deceleration felt intentional, a rejection of the runway's typical kinetic energy. Here, stillness became spectacle.

Davidsen's work at Han Kjøbenhavn has always leaned into autobiography and cultural specificity, refusing the sanitized neutrality that often defines Scandinavian design. "Corrosion" extends this philosophy through materiality and form. The collection does not prettify decay or soften its edges. Instead, it presents deterioration as a sculptural language, one capable of making the body strange again. Copenhagen Fashion Week provided the stage, but the collection seemed to exist outside any particular moment or trend. It felt ancestral and futuristic at once, rooted in craft traditions while proposing something categorically new. Han Kjøbenhavn continues to operate at the fringes of commercial viability, prioritizing vision over wearability. "Corrosion" confirms that commitment.