Kay Hickman’s photography is dedicating to documenting the African Diaspora.
Kay Hickman’s photography is dedicating to documenting the African Diaspora.
Amsterdam-based Piet Langeveld discusses art, clothes, and fake brands.
Eyes Without a Face (1960)
Nigerian visual artist and photographer, Fatimah Tuggar’s works present a collaged reality of West African and Western motifs, a world where African is not a homogenous identity, where tropes of class, race and religion may differ without colliding.
Rebecca Mateydes discusses her recent move to London, social media, and the best advice she’s been given.
Authentic and fresh, Portraits of Adolescence captures the energy and uncertainty of youth.
Russian-Ghanaian photographer Liz Johnson Artur’s candid shots portray the black experience unrestricted by the mould so often replicated; presenting personalities in all their grace, the nuanced spirit of blackness is alive and free.
Bored of selfies, Mia started to record herself. Mostly because you can pack more information into a video.
Salò, or the 120 Days of Sodom (1975)
Vicente Mollestad, on identity and violence and the possible beauty of it all.
Hedonistic by virtue and aristocrats by vice, Alex’s Harlem delves into a vibrant collision of eras, senses and styles.
Candela Fernandez talks makeup, fashion, and selfies.
“9-1” is a photo series by Amba and Dylan that illustrates an alternative to the typical work lunch break.
Artist and textile design graduate on her career, inspirations and her brand Only Friend.
Shock Treatment (1981)
Energetic and youthful, Afterhomework presented an unconventional look at uniforms and ruching.
God's Gift to Gabbers: Alberto Guerrini aka El Diablo aka Gabber Eleganza.
The Dutch designer duo’s abstract fusion of colours, textures and silhouettes are interpreted into a series of portraits.
Football meets couture in a highly embellished and innovative collection from Koche.
With an unconventional beginning taking real estate listing photos, Bill Taylor found that he was a natural at photography. Now, his lens is more focused on rock n’ roll than real estate.
