Comme des Garcons FW26
There is a particular kind of authority that comes from a designer who stopped seeking approval decades ago. Rei Kawakubo arrived at FW26 with a collection titled "Ultimately Black," and the title functioned less as an aesthetic statement than as a philosophical position. Black, in her words, is the strongest medium for creation, the colour that carries the universe and the black hole simultaneously within it. The runway took her at her word.
Sixteen all-black ensembles opened the show in near-silence. The silhouettes were massive, intricate, and governed by Kawakubo's long-established formal obsessions: side-mounted protrusions resembling rocket engines, stalactite volumes dripping from structured panels, orbs of fabric stacked in configurations that defy conventional proportion. These forms arrived not as novelties but as refinements of a visual language she has been developing for decades, each one more internally coherent than the last. The fabrication was rich without being indulgent. Lace, brocades, chiffon, sequins, and fringe appeared throughout, shirred, knotted, and draped into forms that evoked jellyfish tentacles, architectural ruins, and meteor trails in equal measure. Spidery embroidery traced its way across padded panels, adding a sense of minute, almost scientific precision to garments of otherwise monumental scale.
The interruption, when it came, was jarring by design. Six saccharine-pink looks stormed the runway mid-show, reworkings of earlier black silhouettes now saturated in the colour most opposed to the surrounding void. The tension was deliberate. Rei Kawakubo has always understood that the most effective statement arrives through contrast, not confirmation. John Fluevog's chunky wooden platform boots, reunited with the house after years apart, planted the entire vision firmly on the ground. Cosmic in concept, physical in presence. That balance, the metaphysical made wearable, is the particular achievement Kawakubo continues to pull off, collection after collection, without apparent effort and with enormous, sustained intelligence.
make-up : Takeo Arai @hmaraitakeo
Head Piece :Nobuki HIZUME (HIZUME) @hizume.official
Music : Supervision/mix: Ugo Nardini (ADC303) @adc303
1-Don Juan ou le festin de pierre - Giovanni Antonini
2-Nocturne N°20 in C sharp minor - Frédéric Chopin
3-Piano concerto N°23 in A major = Wolfgang Amadeus Mozart
4-Adagio in G minor - Tomaso Albinoni
Shoe Collaboration : Comme des Garçons x John Fluevog


