Travis Ficarra introduces a new iteration of their Chocolate Goblin; a threatening, synthetic figure installed alongside a Koons Gazing Ball painting, where digital fiction and physical confrontation are treated as the same thing.
Travis Ficarra introduces a new iteration of their Chocolate Goblin; a threatening, synthetic figure installed alongside a Koons Gazing Ball painting, where digital fiction and physical confrontation are treated as the same thing.
At its 17th edition, Feeric Fashion Week positioned itself as a crucible for fashion’s future, emphasizing visual research and ethical responsibility through immersive, with the most inspiring Transilvania site-specific locations to be immersed.
Elena Francalanci’s performances deconstruct pop culture, femininity, and the body as a site of tension and transformation.
On stage on the June 28th in the gardens of the Triennale for Terraforma Exo 2025, The Talk is a hybrid device that remixes concert, theatre, and audiovisual art.
From a shy and curious boy with a passion for mathematics to a creator of visual and sonic experiences: Ben builds unstable systems made of light, sound, and code, shaping spaces where one can get lost, observe, or simply stay.
A visual diarist with a nostalgic lens, Lindsay Elizabeth Warner captures intimacy, memory, and emotional depth through film photography rooted in romance and reflection.
Martens' Margiela debut demonstrated architectural grandeur and material reinvention. It honored the house's original spirit while charting an audacious course for luxury fashion. A compelling vision.
Oh de Laval’s work has always felt like a secret someone lets you in on: intimate, a little defiant, and full of emotion that doesn’t beg to be understood. I Miss When People Had Secrets feels close to the skin. It’s about what we hide, what we show, and the strange beauty of not always being fully seen.
The SS26 collections at Berlin Fashion Week offered an unforgettable display of genuine experimentalism and avant-garde creativity from some of our most admired designers.
Radical Hope is about what happens when a culture dies, when the roles, values, symbols, and ways of being and organizing daily life are lost forever.
Precision and instinct built this edition. No noise, no excess. Just real signals from people who move with purpose. INTERVENTION moves forward because it already knows where it stands.
Graphpaper and Ill-Studio frame fiction as structure. An installation where garments lose origin and absorb time, drifting between sound, texture, and the unspoken systems that shape how we read form.
Technology meets techno, ritual and rave. genesys1.0 brings abyssal core, the collective’s first EP that fuses electronic music with spiritual science fiction.
Oxygen exists in a space where time slows down and everything feels slightly removed from reality.
Ottolinger’s SS26 collection “Heidi” staged a theatrical celebration of sisterhood, resilience, and sensuality, merging chaotic elegance with utilitarian softness in a show that felt both intimate and unapologetically bold.
Marie Lueder draws on tales of dragons, knights, and princesses to shape a fantastical universe where medieval silhouettes meet contemporary utility wear.
Ottolinger opened Resort 2026 in Berlin with Darude pulsing through the space. Kristina Nagel and Anna Uddenberg stepped into a collection built for tension, pressure, and the speed of the moment.
Berlin gets the first cut: Mowalola opens her debut pop-up at P100, fusing past and future through exclusive pieces, a new FW25 capsule, and one unmistakable attitude.
Inside the chapel of Laennec, fashion becomes relic. “Balenciaga by Demna” marks ten years of distortion, vision, and a new kind of permanence for clothing. The space once reserved for silence is now witness to fashion’s most deliberate provocation.
PUMA partners with Salehe Bembury to present Velum in Paris, drawing from organic memory and industrial precision. The result is a study in form, sensation, and the strange intimacy between material and motion.
