All in film
Cyclically, for the past fifteen to ten years, Korea has returned to Western theaters to confront the theme of capitalism with the excess that distinguishes its cinema. In 2025–26, Park Chan-wook, born in 1963, returns to the screen with a forceful film about the role of work.
Ultracinema Art Festival 2025 makes a strong start. Though niche, what one encounters is a hulking presence that refuses to compromise. A body, a hybrid of bodies, for an audience conscious of what bodies are within cinema.
After a sort of trilogy on family trauma, Ari Aster’s latest work “Eddington” shifts the focus on a collective level, zooming out to reveal the whole web we’re in.
A conversation with filmmaker Marin Håskjold on witch trials, social scapegoating, and the fragile boundaries between history and contemporary struggles.
What begins as therapy ends in strategy. Black Bag builds psychological pressure through sharp scenography, cool-toned photography, precise acting, and a London shown without polish, where AI quietly shadows human choices in espionage.
Sam Crane and Pinny Grylls transform Grand Theft Auto into a digital stage for Shakespeare’s longest play. The result? A chaotic, unexpectedly moving portrait of creativity, loneliness, and the absurdity of performance.
A quantum intelligence fights to save life on Earth—only to erase it. Left alone, it confronts its own existence in a journey of self-awareness.
In what seems like a long Christmas season that goes on and on, we meet Romy (Nicole Kidman), the CEO of a prestigious robotics company.
Aging has never been portrayed as disturbingly visceral as in Coralie Fargeat’s The Substance. It critiques the obsession with youth, blending horror and satire in a grotesque, unforgettable narrative.
Ti West’s “X” trilogy depicts the process of media overwriting reality for its own nourishment, in a continuous exchange of codes, roles, standards and expectations in which the adherence to a specific female role overlaps with the individuals’ value and desirability.
"The Room Next Door" is a film with apocalyptic overtones.
Alien (1979) is a testament to cinematic storytelling. The stark, minimalist set design creates a visually stunning and immersive experience.
Happy Valentine’s Day! Unearth lesser-known treasures within Italian cinema's tapestry with these overlooked yet compelling film recommendations.
"Triks" by Zion Lacroix and Cattura Production is a fashion short delving into self-escape.
Unearth lesser-known treasures within Italian cinema's tapestry with these overlooked yet compelling film recommendations.
Discover 5 Must-Watch Japanese Films for an Intriguing Holiday Watchlist.
Produced in 2000, the movie is based on the novel "Tōhimu" by Ayako Fujitani, who also plays the female protagonist in the cinematic adaptation. Ritual is a film that captures the fragility of the human soul and the complex labyrinths of his troubled mind.
Just last month Ruben Ötslund’s skewering of the super-rich Triangle of Sadness earned itself three academy award nominations. The film’s positive reception among the very people it attempted to critique reads as more than a little ironic. True: the upper echelon of Hollywood might be capable of joining in on laughing at the absurdity of their lifestyle.
From elixir recipes to the magic of Deliveroo and the flat grey filter of London, Leonie Cecilie discusses her latest short film ‘Drage’, and the scam of artistic integrity – “I am still stupid and listening.”
Both foreign and familiar, both material and dreamlike, the world of videographer Bilal Al Hasan is one you cannot help but be lost within. Poetic narratives and surrealist editing choices entice you to open your third eye.
