Genti Korini resurrects early 20th-century avant-garde research to critique the exoticization of Albania. By staging an archival Russian parody, he exposes the failure of language to capture the other.
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Genti Korini resurrects early 20th-century avant-garde research to critique the exoticization of Albania. By staging an archival Russian parody, he exposes the failure of language to capture the other.
What remains after provocation? Reading SEAWORLD VENICE by Florentina Holzinger.
Four days of pure experimentation, local heroes and international heavyweights sharing the same city. Blawan live, Batu, Torus, Aaron Dilloway's noise rituals, Caterina Barbieri's modular worlds, Oneohtrix Point Never and Freeka Tet's audiovisual fever dream, KMRU's field recordings turned seismic. This is what adventurous music looks like when it's done right.
Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.
Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.
Via Pietro Verri welcomes the new Rimowa flagship. Green marble, dark oak, and German engineering define this sophisticated space dedicated to functional design and timeless travel excellence.
Tokyo label F.C.Real Bristol partners with Carhartt WIP. They deliver performance-driven athletic garments and football memorabilia , available worldwide this April.
“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.
Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.
ACG and Mental Athletic turned Spazio Maiocchi into a looped trail. Athletes ran multiple laps across three days, abandoning wilderness for repetition, distance for obsession, in a closed-circuit endurance trial.
INTERVENTION V returns to Berlin on February 2nd. Kraftwerk Berlin hosts runway presentations, TED's first fashion salon, and four days of cultural programming across the city.
Solomun claimed Alexandra Palace across two sold-out nights, delivering five-hour sets that felt like memorabilia moments. His sound is about introspection, depth, and authenticity stating firmly in real electronic music.
At Berlin, designers remembered what innovation means: looking backward to move forward. Upcycled waste, moving bodies, childhood nostalgia. Fashion became ritual again.
PLATTE Berlin becomes a platform where Sven Marquardt’s jury perspective values material truth, photographic thinking, and designers who speak both to the street and to the gallery.
Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.
C.P. Company builds urban wear as infrastructure. Nano Titanium and Micro-Tek fabrics form protective layers between body and city. Functional design meets technical precision in Fall/Winter 026.
Francesco Pacelli, born in Perugia in 1988, is a contemporary artist based in Milan. He began his career as a designer. In his solo exhibition Nessun Boato, curated by Anni Wu at Limbo Contemporary and inaugurated on January 20, he catapults us into a dimension suspended between cosmic finitude and imagination.