Tsukamoto's gauntness against Nolan's IMAX colossal. In response to The Odyssey: Shadow of Fire – a true film on Post-Traumatic Stress Disorder among war veterans.
Tsukamoto's gauntness against Nolan's IMAX colossal. In response to The Odyssey: Shadow of Fire – a true film on Post-Traumatic Stress Disorder among war veterans.
HOKA and Beams have known each other for years. For the retailer's fiftieth anniversarythey took the Bondi 7 somewhere quieter. Thomas Cykana and Travis Wiseman talk through the shoe in Paris.
Pacha's walls still remember the night Jamie xx and Solomun traded rhythms until sunrise, one playful and open, the other deep and relentless, together rewriting what a b2b can sound like.
Nearly three years in the making, REBEL RAMEN landed in Paris with a cart drawn by Willo Perron, a sound system built by Matéo Garcia, and two bowls that argue for restraint and excess in equal measure.
Creative director, publisher, and self-taught researcher, Roberto Rigon has spent years turning technology's blind spots into print. He reflects on data, democracy, and the value of thinking in decades.
Sixty years of ceramic culture arrive in Paris. Refin Studio, the brand's first French space, gives architects and designers a place to study surfaces, compare ideas and build considered, lasting projects.
William Victorino builds sculpture from the wreckage of painting. Trained under Claude Rutault's radical protocols and years of Beaux-Arts drawing, the French Brazilian artist turns raw wood into frames the public can walk through, touch, and reassemble on their own terms.
For SS27, Arashi Yanagawa built a collection around Bettina Rheims's Modern Lovers, letting masculinity and femininity sit unresolved. Shibari-inspired lacing meets sheer fabric and reptile-look materials, restraint and softness worn on the same body.
Berlin Fashion Week SS27 took place across four days and iconic venues citywide, uniting Orange Culture, Buzigahill, Andrej Gronau, Kasia Kucharska, Selva Huygens, sample030 and John Lawrence Sullivan in a season defined by identity and transformation.
Fredrik Paulsen learned to read the world through skateboarding long before he learned to design for it. This month he brings that back to Helsinki, with a chair made for Vauhtikisat, built to be ridden, not admired.
Barragán staged SS30 inside Berlin's Mexican Embassy, a brutalist monument by Teodoro González de León, where identity became a matter of paperwork, uniforms, and light bent through corridors in tribute to Luis Barragán.
In Federico Hurth's photography, precision and risk are inseparable. His latest project, Sourland, focuses on the aftermath of the 2025 Los Angeles wildfires in 84 analog photographs.
Nordic midsummer has always been a negotiation with light: how long can you hold it, how much can the body take before sleep wins. At Ruka, Kuusamo, Solstice Festival removes the question entirely. The sun does not set. The fell rises above the treeline. The reindeer cross when they want. You adjust.
To claim that intuition is methodology is to strip it of romance and position it where it truly belongs: as rigorous epistemic practice. Vincent Laine treats the inner voice not as a muse but as disciplined intelligence.
(Future) Paradise Gardens. The tenth edition of Biennale Gherdëina inaugurates in the heart of the Dolomites as a diffuse event running until 13 September.
The exhibition Dal sonno by Nicola Maria Patitucci, hosted by Cane Studio, examines the perception and implications of the unconscious, converting the dream state into an intimate and unsettling visual journey.
At SOLO CSV in Madrid, a new exhibition space has inaugurated: Basement, with works by Cezar Mocan, artist and programmer winner of SOLO AI ‘25 Award, on the limits of data technologies.
British photographer Ed Aked discusses I RAGAZZI, launched at Oddity Paris, a photobook that explores masculinity, belonging, ritual, and collective identity through the charged atmosphere of Siena's Palio.
In its 11th edition, Amsterdam-based FIBER Festival made this tension its focus of inquiry through its theme, Fragile Forces.
Eva & Franco Mattes bring their hilarious yet terrifying web critiques to Venice with RAGE BAIT, showing how algorithms happily harvest our daily internet anger for pure profit.