Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
All in art
Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.
Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.
Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.
The West was built on a story. This exhibition, running at 10·Corso·Como until April 7, lines up the photographers who believed it, and those who knew better.
Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.
Between the visible and the sensed lies a quiet territory where light bends, air moves, and perception begins to question itself.
“K-Now: Korea Video Art Today”, at MASI Lugano, until 19 July 2026, answers through the works of eight artists and one collective, tracing unresolved wars, algorithmic labour, and diasporic identities. A generation born between the 1970s and early 1990s, witnesses to democratisation and digital acceleration, turns the screen into a territory of memory, critique, and restless self-interrogation.
Giovanna Silva “L'ultima estate in città”: a dialogue between Giovanna Silva's urban photography and the ceramics of Officine Saffi Lab.
sikau/pubalova's exhibition challenges the body through the microbial, haptic, sonic, and olfactory. At Kunsthalle Praha, what it absorbs becomes a means of knowledge: ecological grief as a collective, contradictory, and incommensurable condition.
Yoniro returns with a new and ambitious project, a concept album that explores and fuses the tradition of the Taranta with electronic sound research.
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking. Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
ILL-STUDIO is a research driven practice shaped by impulse, not instruction. In this interview, Thomas Subreville traces how ideas circulate, resist coherence, and settle only when meaning outweighs form. Finality becomes irrelevant once logic replaces structure.
From painting to video, and art to cinema, artist Kamil Dossar is exploring the understanding of the “alien” in Western thought. Represented by AI-generated lizards moving in an Iraqi landscape, his most recent body of work and upcoming cinema debut invites audiences to a renegotiation with the Unknown.
Ivy Vo, a UK-based Vietnamese artist works across multimedia formats – printmaking, video, installation, and graphic design – and she often transposes a digital world to physical spaces and sculptural objects.
Motorized wheelbarrows. Bumper cars with horsepower. Forty years of obsession, 4,500 shows, one garage in Stuttgart. FEUERSTÜHLE brings the machines inside and turns the volume up.
Visual artist and ceramic sculptor Becky Tucker invites us into a parallel world where the shadows of ancient civilizations meets futuristic horror.
Lidia externalises internal states through environments designed to be entered, inhabited, and sensed. Her installations often manifest as portals, chambers, or post-geographic spaces.
Bolding Gallery presents CAKE by Ben Raz, opening in their Marleybone Gallery at Alfie’s Antiques Market this Saturday 7 February.
Three installations by Mona Hatoum inhabit the Cisterna's former distillery tanks. Glass spheres form webs and maps; a metallic grid collapses and rises. Beauty conceals danger. Reality becomes questionable.
From the edges of music genres to cross-media experimentation, Kayla Trillgore turns the liminal into a multifaceted exploration of technology and desire, unfolding her research piece by piece towards her new EP, NEWMETAFLESH.