Features Overview

Moving beyond the notion of space as a mere shell, Benni Bosetto’s Rebecca functions as an autonomous organism. Through July 2026, the exhibition navigates the porous membranes between intimacy and feminine memory.

Kushtrim Memeti turns the Trepça mine into testimony. Minerals, metal, and broken bodies speak where official language stays silent. Resistance surfaces through weight, friction, and refusal.

Via Pietro Verri welcomes the new Rimowa flagship. Green marble, dark oak, and German engineering define this sophisticated space dedicated to functional design and timeless travel excellence.

Tokyo label F.C.Real Bristol partners with Carhartt WIP. They deliver performance-driven athletic garments and football memorabilia , available worldwide this April.

“Tide of Returns” opens the 2026 season of Ocean Space in the former Church of San Lorenzo in Venice, from late March through October 11. Like the tides themselves, the exhibition carries back what once seemed lost: objects, memories, identities torn from the communities that had given them life.

Cao Fei turns a rice field into a philosophical question. Drones replace gods. Algorithms rewrite ancient rituals. Milan, April–September 2026. Fondazione Prada.

Six years later. Same rabbit hole. Much darker, Very cursed down here. Clusterduck spent six years going down the rabbit hole of internet culture. Here is what they found. Clusterduck, six years inside the rabbit hole of internet culture. Clusterduck, six years inside the (rabbit) hole of internet culture.

The Mach. Remastered. HOKA takes its most iconic trainer and gives it a life beyond the track, translucent ripstop, metallic eyelets, the same supercritical foam you trust.

Two Dots makes music the way a fist hits a wall. Raised in Alpine quiet, sharpened in Parisian raves. The sound always knew who it belonged to.

With Smooth Operator, Villiam Miklos Andersen questions the very idea of comfort, stripping it of any reassuring automatism. In his practice, what welcomes us is never entirely innocent: well-being, rest, and care are always also the product of structures that discipline bodies, regulate behavior, and define who is truly allowed to feel included within a system.

Gottfried Helnwein makes you look at what most people prefer to ignore. His first major retrospective in Spain opens now at SOLO Independencia, Madrid.

Vittorio Valigi begins with subtraction. His design logic, whether for a client or an exhibition, operates by removing what does not belong until only the irreducible remains. Ten years of living inside an altered body taught him exactly what that means.

Florian Picasso grew up in the industry before he grew up at all. DJ, label founder, creative, always one step ahead of where he just was.

Alessandro Aprile’s first solo show exhibition at MATTA in Milan unfolds as a suspended field: bodies surface and dissolve, thresholds flicker, and painting becomes a slow emergence of unstable, shared states of being.

In this conversation for MoMu’s landmark exhibition, Geert Bruloot revisits the moment when Antwerp changed fashion, including the Six’s remarkable road trip to Pitti in Florence.

PLASTIC PRODUCT understands something that function alone never could: where sensibility wants to rest. It goes there first, directly, before the justification has time to form.

‘70kkisses’ is Simone Antonioni's private arithmetic made public. Five years, one person, seventy thousand moments. The math is simple. The weight of it is not.

Five artists propose a world where human flesh and geological matter share the same origin. The body stops being a boundary. It becomes a site of radical reciprocity.

A drama in which a digital threat erupts into real-world violence, overwhelming an independent online retailer.

Between the visible and the sensed lies a quiet territory where light bends, air moves, and perception begins to question itself.

“K-Now: Korea Video Art Today”, at MASI Lugano, until 19 July 2026, answers through the works of eight artists and one collective, tracing unresolved wars, algorithmic labour, and diasporic identities. A generation born between the 1970s and early 1990s, witnesses to democratisation and digital acceleration, turns the screen into a territory of memory, critique, and restless self-interrogation.