In the exhibition Apocalypse Now and Then, Andra Ursuţa shapes matter, memory and ruin into sculptures that question the apocalypse, the fragility of the body and the desire to transcend a troubled present.
From orchestral intensity to electronic experimentation, Gaudeamus Festival marks 80 years of innovation. In Utrecht’s incredible venues, emerging voices presented new forms of contemporary sound, reshaping the future of music.
Berlin Atonal made its highly anticipated return to the cavernous Kraftwerk Berlin complex from August 27 - 31, 2025, rolling out five nights of premieres, new commissions, art installations, and late-night club sets.
2025 BOLD with Tilda Swinton Discover Gentle Monster’s bold, futuristic narrative through a campaign led by Tilda Swinton.
032c presents GOLDRAUM 1 by Hendrik and Tom Schneider, with sound by Malibu. A gold-built interior, dense and disorienting, opens August 2 in Berlin.
On stage on the June 28th in the gardens of the Triennale for Terraforma Exo 2025, The Talk is a hybrid device that remixes concert, theatre, and audiovisual art.
Diagrams: supposedly neutral instruments that organize the world. The exhibition by Fondazione Prada and OMA/AMO in Venice reflects on data, graphs, and data visualization as devices of thought, ideology, and representation, across 800 years of human history.
A portrait of romance engineered to please, until it corrodes. Toxic Love looks at desire programmed to perfection and the cost of surrendering to something that only simulates presence.
Swedish audio brand Transparent reflects on ethical product design, modular sustainability, and how silence, AI, and sound can coexist in a cluttered technological world.
Maghras traces the entangled timelines of land, labor, and legacy in Al Ahsa—Saudi Arabia’s first appearance at Triennale Milano, quietly staking ground with precision and purpose.
Amandine Kuhlmann dissects the aesthetics of platform culture, using performance and digital media to expose how identity is shaped, staged, and fractured online.
Inside Grand Palais Virgil’s archive pulses alive: worn laces, unpolished sketches, Nike collaborations, Off-White signature details. A rush of grief and pride, of memory and movement, reminding us why creativity matters.
In Berlin, Diesel erects a stark two-level haven of denim and art. Concrete frames converge with bold displays and shifting zones. A realm born for creators, not mere shoppers.
In the exhibition Apocalypse Now and Then, Andra Ursuţa shapes matter, memory and ruin into sculptures that question the apocalypse, the fragility of the body and the desire to transcend a troubled present.
YESHE’s Pretty Perfect threads grace and persistence, walking through memory, diaspora, and solitude, each note revealing the persistence of emotion across unseen histories.
At Snow Gallery, ‘Possession’ takes form. Spirits, idols, and impulses collide. Vega’s current flickers through each artist, where devotion meets corruption, and the sacred becomes provocatively flesh.
Aphotic Signals Intelligence Division summons DROWNED GOD: an audiovisual convergence where myth, sound, and ritual mutate into collective code. Music becomes resistance; the dance, an encrypted language of faith.
After years in London, KNWLS arrived in Milan with Nike, presenting new techniques, materials, and ways of engaging communities, choosing progression over repetition, and connection over routine.
A conversation with filmmaker Marin Håskjold on witch trials, social scapegoating, and the fragile boundaries between history and contemporary struggles.
From orchestral intensity to electronic experimentation, Gaudeamus Festival marks 80 years of innovation. In Utrecht’s incredible venues, emerging voices presented new forms of contemporary sound, reshaping the future of music.
With garments that look sullied, sweated in and stained, Liza Keane’s designs are a vulnerable excavation of her emotional experiences.
Air Max RK61 turns history into form. Iconic flight codes, jet-engine midsoles, jacquard liners, each detail delivers dignity. Heritage becomes wearable architecture of identity.
Tressless proposes hair loss as beauty’s new language, shifting perception from stigma to individuality, where identity is expressed not through concealment but through visible strength.
Versace Embodied launches today as the first chapter of a new exploratory project by the House. Not a campaign, but a cultural conversation, bringing together photographers, artists, poets, and performers to reflect on the essence of Versace: its past, its present, and its boundless future.
Ferrari FW25 ADV campaign by Robin Galiegue. The Fall/Winter 2025 Collection by Rocco Iannone comes to life inside the Ferrari Officina.
Berlin Atonal made its highly anticipated return to the cavernous Kraftwerk Berlin complex from August 27 - 31, 2025, rolling out five nights of premieres, new commissions, art installations, and late-night club sets.
Omnia Arcana reflects on sanctity and heresy, medieval echoes cast in silver and steel, where devotion confronts defiance and hidden truths surface through armour-like adornments.
NO/FAITH Studios reimagines PUMA’s Talon through distressed denim and racing cues, a sneaker where nostalgia collides with raw futurism and melancholy sets the tone of its campaign.
Through I TRUST PAIN, Richie Culver turns his visual works into sonic fragments, channeling trap, noise, and spoken word into an uncompromising meditation on self and survival.
Raised on Chicago’s South Side, Thelonious Stokes names his practice a forward realism: painting, performance, and design as limbs of one body channeling memory, faith, and invention.
For the French producer Notinbed, music is like a plaster for the brain, and for singer Clara Kimera, it’s an unspoken message passed from her heart. Together, we discuss their waxy, wet collaboration.
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